Vol. 7 No. 1 (2007): Art, Science, Environment, Activism
In this issue, we feature project reports on three sound art projects whose activism was oriented toward engaging local people with their own local soundscapes, explicitly encouraging deeper connection with the place through sound. As you’ll read, the implicit layer of fostering protection for the soundscapes or habitats varies among the projects, being strongest in the Icelandic and Panamanian projects, while Annea Lockwood’s Danube Sound Map is more an exercise in encouraging listening to place and acknowledging historical reso- nances that remain audible.
Published:
2025-08-07
